![]() Microtuning With Tuning Tables And Global Tuning Offset.Just right click, and add and remove all mod sources. The S&H mod source can sample noise (random) or any of the other mod sources, at either a user-defined rate or a musical division.Įvery mod and MIDI source can be easily and simply assigned to any destination with the right-click context menu. The pair of bipolar FLFOs utilize five controls (amplitude, phase, shape, skew, and warp) to access a virtually limitless palette of waveforms, and feature host tempo sync and retrigger. Flexible Low-Frequency Oscillator (FLFO) x 2. ![]() The four FEGs are arbitrary function generators, with up to 99 steps, curve and step level control, arbitrary loop points, and host tempo sync. Can be injected directly into grain engine.įilters can be used in serial or parallel modes, and include lowpass, highpass, bandpass, and notch in 2-pole and 4-pole configurations. Noise source features a "color" control that affects tonal characteristics of the noise. Up to 100 simultaneous grains per voice, of up to 1 second long, with control over grain rate, pitch, direction, shape, length, panning, source position, and level.Ĭontinuously variable wave shape, with pulse width modulation, and independent control over pitch (separate from grain engine.) Can be injected directly into grain engine. It automatically converts the sample to the session's sample rate, and attempts to find the root note. Quanta 2 can load AIFF, WAV, Broadcast WAV, FLAC, MP3, and Ogg in any sample rate, bit depth, and channel configuration. If you have made presets for Quanta 1, just drag the folder in to the Quanta 2 preset user folder, and they will appear in Quanta 2 ready to go to work. In addition, Quanta 2 will load any preset created for Quanta 1. Quanta 2 contains every preset from Quanta 1, and every post-release pack we have commissioned, as well as new preset packs from Red Means Recording and Red Sky Lullaby, and created in house. In addition, four Macro knobs have been added to the modulation panel, and these can receive a global MIDI CC assignment, thus allowing you to control the macros from the MIDI controller of your choice, no matter what the author of the preset chose. The FEGs pick up amplitude and time scale knobs, and the FLFOs get amplitude control, switchable bipolar output, and a sync switch which causes FLFO 2 to reset whenever FLFO 1 restarts. The envelope generators and LFOs have been extensively improved. ![]() Quanta now has a chorus, stereo dual delay, and reverb taken from the Audio Damage library of studio effects. Quantizing respects the tuning table or MTS-ESP tuning as well. This quantizing is post-modulation, so any randomization or mod applied to grain tuning will be quantized to the scale of your choosing. You can optionally limit grain pitches to particular notes. (This obviously works better on legato single notes than it does on chords or full music loops.) After the import, you can adjust the root note to taste. When you drop a sample on Quanta 2, or load it via the import dialogue, Quanta 2 attempts to find the root note of the sample. Use one for a sub bass, send both to the grain engine, granularize one and leave the other normal - whatever floats your boat! Quanta 2 has two virtual analog oscillators instead of the single one in the original. In addition, the controls now have indicators to show modulation. We have replaced the matrix mod assign panel with a right-click context menu like those found in Continua and Phosphor 3. The user interface has been cleaned up, modernized, and given panels for clarity and to accommodate new controls.
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